I just watched Amélie with Diane and I came to the following three conclusions.
- They totally ripped off the music from Platoon for one of the TV sequences near the beginning
- Those damn Expedia commercials with the travelling garden gnome are a reference to this movie…
- I want to light Amélie on fire and kick her down a flight of stairs.
Okay, actually that piece turns out to be “Adagio for Strings” by Samuel Barber. But back to the point:
Major French overload. There is something really annoying about how precious and intentionally quirky everyone is. It reminds me of high school drama kids. Most of these problems can be solved by issuing a savage beating to everyone involved. The cinematography: Every scene is very green and red. Maybe I should buy a bunch of filters for my camera now. And every shot is like a panel in a comic book- follow the motion, follow the motion, now we highlight a single item. You know another director who does this? Sam Raimi. Watch Amélie and then The Quick And The Dead right after each other. Maybe you will notice the similar style. Except Raimi is trying to make it cartoony. Also, I thought it was just Luc Besson’s sick fixation, but it appears that the French like the women who look like little girls, who are shy and uptight and introverted, innocent and clueless yet somehow simultaneously full of raging passion. Either that or French women really are like that.It’s her constantly pursed lips. Makes me want to put a brick through her face.
BRIAN: If you could boil any one person in the Two Windmills Café alive, who would it be?
DIANE: All of them.
BRIAN: You only get one.
DIANE: Amélie. Because then this movie would be over.