Bathsheba Grossman

I’m a digital sculptor, combining prototyping technology with metal crafting skills to create abstract geometries in space.

Her most striking work is a series of mathematical constructs/projections which are printed in metal.

In her very informative techniques page, she describes the process- she apparently uses a “ProMetal” by ExtrudeHone.

She also does proteins etched in crystal with lasers, which you usually see applied to cheesy trinkets at tourist traps- here instead of mickey mouse floating in a crystal cube, you get a 3D model of hemoglobin.

Her site is full of amazingly complex and precise art and crazily geeky phrases like:

I had written a mildew growth simulator at the New Kind of Science conference last summer, and this was a chance to run it.

Doing Business With The Japanese

I was cleaning out my mom’s storage space last night and I found this xeroxed magazine article from my dad’s job in the 1980’s.

It has a note on it which says

The attached article may be of interest. It is one man’s opinion of how to do business with the Japanese.

A few things of note here:

  • “with the Japanese” is the first thing that sticks out. Not “Japanese businesses” or “Japanese clients” but “the Japanese.” Like they are all on one team. Very 1980’s, don’t you think? And if you don’t understand why this is retarded, you probably don’t think our foreign policy is deeply flawed either.
  • the distancing of the sender from any commitment to anything related to the article. Oh you found the article offensive? Well it was just one man’s opinion, one man being “not me.” And I didn’t recommend it really, I just said it might be of interest. COVER YOUR ASS!
  • There is no mention of insane amounts of drinking nor expense accounts and hostess bars anywhere in this article.
  • the phrase “a Japanese” appears numerous times in the article

On the positive side, a few useful notions which were explored:

  • the distinction between
    • tatemae (建前 – public face/official position) and
    • honne (本音 – real intention)
  • The notion of ningen kankei (人間関係) – the rapport developed between the two parties of a potential business transaction. This can be based on belonging to the same “in group,” for example being alumni of the same college, living in the same area. Given the somewhat more structured nature of Japanese society, potential Japanese business partners will feel uneasy if completely without this relationship, no matter how tenuous.
  • The extreme luxury implied in being able to say you play golf. Gotta remember that one. In modern prices, here it costs maybe $200, tops, for a two-person round at a public course, with renting clubs and lunch. There are much fewer public courses in Japan (private courses can have a $40k+ membership fee), and even at then the fees are several hundred dollars. Add a 2+ hour commute to the course, and “hole in one” insurance, and it just ends up way more expensive.

National Theater of Japan

The National Theater of Japan. They are the go-to guys for all your Japanese Cultural theater what have you.

My friend Kaori had never gone to a kabuki play. When she heard I had dragged Aaron there, she said “isn’t kabuki for old people?”

Also check out their Performance Schedule, because imagine the pain of going to Tokyo and not being able to see a kabuki (歌舞伎) or bunraku (文楽) performance because you were lame and went there off-season!

Stuff like that keeps me up at night.

In other news, Tokyo kicks ass.

Web link of note: National Theater of Japan
(At http://www.ntj.jac.go.jp/english/index.html)

Stop! Stop! Too Ghetto!

DIANE: try some of my super-ghetto margarita
BRIAN: this is tequila with some juice in it

I bought a prickly pear today. Once you take out the seeds and mash the pulp, there is barely anything left, and you get a pasty dry goo that tastes like a pear. Hence the name… Not really worth it.

DIANE: would you like a grape?
BRIAN: they look moldy
DIANE: they are sugar-encrusted
BRIAN: you made Frosted Grapes?
DIANE: They’re GRRRR-APE!

No Plot? No Problem

This book rules!

No Plot? No Problem is a mad dash through the philosophy of NaNoWriMo, the National Novel Writing Month, a “contest” in which the participants write s 50,000 word novel in a single month. It happens every November.

If you finish your novel, no matter what it is like, you are a “winner!” Your prize is a new novel, which you wrote!

Chris Baty, the founder of NaNoWriMo, writes about the strategies of succeeding at finishing on time, and the importance of the somewhat arbitrary deadline. The second half of the book is a week-by-week guide through the various pitfalls commonly experienced by people that week.

Even though participants in NaNoWriMo benefit immensely from the support of their fellow authors, this book will work even if you start on another month.

Also mentioned: NaNoEdMo, the National Novel Editing Month, which happens every March.

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Almost Transparent Blue

Written and set in the mid 1970’s by Ryu Murakami. It follows the hedonistic and very non-glamorous existence of a group of Japanese punk junkies, constantly poor and scraping together the money from selling themselves for sex and parties to get to the next concert or score the next batch of drugs.

Everything has a smell and a texture. Lots of descriptions of mucous, other bodily fluids, rotting food.

A bit like Trainspotting, but Japanese and more 1970s

A bit like Naked Lunch, but more coherent and a lot shorter, and not surreal

A bit like Bright Lights Big City, with much less fun

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Marry An American

When the provisional Ohio votes are counted and if George W. Bush is re-elected, single, sexy, American liberals – already a threatened species – will be desperate to escape.

These lonely, afraid (did we mention really hot?) progressives will need a safe haven.

You can help. Open your heart, and your home. Marry an American. Legions of Canadians have already pledged to sacrifice their singlehood to save our southern neighbours from four more years of cowboy conservatism.

Web link of note: Marry An American
(At http://www.marryanamerican.ca/)

But Think Of The Ratings!

Electronic Voice Phenomena, or “EVP,” is when you record ghost voices on a tape recorder. Listen to the examples, they are pretty creepy.

According to the recording procedure posted by the AAEVP,

If the taper wishes to speak to a specific friend or loved one in the next dimension, he should ask helpers on the other side to please get this person for him. For best results, it is advised to make this request as you end recording for the day. As an example: “When I return tomorrow, I would especially like to speak to my mother, Mary Smith. If you would please try to bring her to me, I will be very grateful.”

I’m thinking this is to give the dead time to contact the requested party, and then for the Beloved to re-arrange their schedule to plan to be at the next contact meeting.

Is this such a bizarre concept? When you make an (unexpected) long-distance call into a developing country, the operator has to schedule the call’s connection, and leave a message for the call recipient. Also, sometimes the only phone is in another village and the time for the incoming call must be relayed by friends or neighbors from the village with the phone to wherever the call recipient lives. This could take several days.

What if the only phone in North America was in Salt Lake City, and you lived in San Francisco? The phone only takes incoming calls. Even with trains or the Pony Express, getting the message that you had a call would take weeks. Then you’d have to travel to the phone, which would take more weeks.

So I propose the following: At the end of your recording session or what have you, list off the next few people you intend to contact, in order, from nearest future to furthest. the list only would move every week or so. That way, someone on the top of the list has about a week to make the connection, and people in future slots on the list will have ample warning, possibly several months. Sort of like a “upcoming events” list for contactees.

But there is a slight complication- we all know how communicating with the Departed is a fairly unreliable proposition. The dead aren’t as direct in their communication, and rarely stay on topic. There may be a large degree of garbling of communicated messages- like a long chain of myna birds relaying spoken messages. Or maybe being on the Other Side makes you a senile flake.

In either case, the message, even “I want to talk to my grandfather,” must be repeated simply and with a high frequency. Like a simple, easy-to-remember and therefore easy-to-repeat phrase. Maybe have a tune that goes along with it to make it even easier to recall. Whoever or whatever receives this message can then more easily relay it to the Loved One, who then can in turn be at a future scheduled recording session. For maximum exposure you would repeat this short song with a single sentence every five minutes or so, during the recording sessions.

Oh crap. I’ve just invented Radio Advertising for the Dead.