{"id":5795,"date":"2007-11-26T12:16:45","date_gmt":"2007-11-26T19:16:45","guid":{"rendered":"http:\/\/www.ikillspies.com\/blog\/2007\/11\/26\/5795\/"},"modified":"2007-11-26T12:16:45","modified_gmt":"2007-11-26T19:16:45","slug":"darkman-an-exercise-in-how-forgiving-the-audience-can-be","status":"publish","type":"post","link":"http:\/\/www.ikillspies.com\/?p=5795","title":{"rendered":"Darkman: An exercise in how forgiving the audience can be"},"content":{"rendered":"<p><a href=\"http:\/\/www.amazon.com\/gp\/redirect.html%3FASIN=B000QUEPRS%26tag=ghosthouse01-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=\/o\/ASIN\/B000QUEPRS%253FSubscriptionId=1N9AHEAQ2F6SVD97BE02\" title=\"Click and drag this image to the post editor\"><img decoding=\"async\" src=\"http:\/\/ecx.images-amazon.com\/images\/I\/31rWj-ahxrL.jpg\" width=\"126\" \/><\/a>These are my notes on &#8220;Darkman,&#8221; by Sam Raimi.  Incidentally I love Darkman, even though I know it&#8217;s kind of a crappy movie.  But it&#8217;s a great grown-up indie movie!<\/p>\n<p>Let\u00e2\u20ac\u2122s just skip the first scene and go straight to the titles.  Too bad there\u00e2\u20ac\u2122s no commentary on this sucker!  I\u00e2\u20ac\u2122ve seen it before too.  Why I like Darkman: it\u00e2\u20ac\u2122s an indie movie that grew into a big budget.  Most of the techniques in it could be done on the cheap.  And let\u00e2\u20ac\u2122s not talk about the script.<\/p>\n<p>Opening credits: a shot of lit smoke, in slow motion against a black bacground, mirrored to be symmetrical.  See the symbolism?  The mirror?  The dark?  Oooh.   Anyway\u00e2\u20ac\u00a6<br \/>\nOther popular choices\/trends in (occaisionally cheap) titles:<\/p>\n<ul>\n<li>Some common process seen very very close up<\/li>\n<li>A simulation of some common thing at a microscopic level<\/li>\n<li>A common setting whizzing by so quickly we cannot distinguish it (Luc Besson, I\u00e2\u20ac\u2122m looking at you!)<\/li>\n<\/ul>\n<p>To generalize:<\/p>\n<ul>\n<li>Microscopic crap\n<ul>\n<li>Cells<\/li>\n<li>Blood<\/li>\n<li>Fungi<\/li>\n<li>Bacteria or yeast<\/li>\n<li>Crystals growing<\/li>\n<\/ul>\n<\/li>\n<li>A cheap chaotic system seen with no context-\n<ul>\n<li>diffusion of dye in water<\/li>\n<li>milk in coffee<\/li>\n<li>smoke dispersing<\/li>\n<li>something being consumed in open flame<\/li>\n<li>flame by itself<\/li>\n<li>clouds<\/li>\n<li>ripples in water<\/li>\n<li>other moving liquids<\/li>\n<li>viscous moving liquids<\/li>\n<li>ripples in cloth<\/li>\n<li>the sky or trees or some other natural object seen from below the surface of the water<\/li>\n<li>clockwork or machine movement<\/li>\n<li>a pan of some complex system<\/li>\n<\/ul>\n<\/li>\n<li>factories<\/li>\n<li>traffic\n<ul>\n<li>rotting things<\/li>\n<li>melting things<\/li>\n<\/ul>\n<\/li>\n<li>things to do to this shot:\n<ul>\n<li>mirroring<\/li>\n<li>running backwards<\/li>\n<li>sped up \/ slowed down<\/li>\n<li>in negative<\/li>\n<li>filtered with weird hue shifting<\/li>\n<li>spinning around and zooming for a \u00e2\u20ac\u0153tempest\/drain\u00e2\u20ac\u009d effect<\/li>\n<\/ul>\n<\/li>\n<li>Every so often something symbolic can be made out.  Distorted by:\n<ul>\n<li>High contrast Shadows<\/li>\n<li>Turning away<\/li>\n<li>Reflected in a partial surface<\/li>\n<li>Colors filtered or in negative<\/li>\n<li>Seen from the other side of a water surface<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>I like the cell fragmentation effect, as seen under a microscope.  What is it exactly?  When we see the nose melt, I think we are really just looking at the top of the range.<\/p>\n<p>They have sex, but we don\u00e2\u20ac\u2122t see anything.  Which is good, because just Liam Neeson and Frances McDormand making cooing noises is gross enough.  And how did they get involved in this movie?!  And Danny Elfman for the score!?  Okay, that\u00e2\u20ac\u2122s enough- let\u00e2\u20ac\u2122s focus only on the positive things to learn from this movie.<\/p>\n<p>As in a noir movie, we don\u00e2\u20ac\u2122t see the grad student killed.  Just the gun to his face, and then Liam\u00e2\u20ac\u2122s reaction.<\/p>\n<p>After the accident we\u00e2\u20ac\u2122re in a hospital\u00e2\u20ac\u00a6 which we only know because there are people in medical gowns!  The lady doctor\u00e2\u20ac\u2122s Brit accent helps give her an air of authority.  She gives a lot of exposition in the context of teaching medical students.<\/p>\n<p>The scene ends in a composited shot through a window.  His escape is summarized in a single shot of him in a flooded alley.  There\u00e2\u20ac\u2122s a more expensive shot afterwards (Liam and Frances) but it\u00e2\u20ac\u2122s not very necessary.<br \/>\nDarkman sees his face for the first time.  Again, we don\u00e2\u20ac\u2122t see it.  No effects!  Plus it\u00e2\u20ac\u2122s much better this way; his face could never have been as gross as we imagine it must be.<br \/>\nMontage of \u00e2\u20ac\u0153research.\u00e2\u20ac\u009d  Advice: don\u00e2\u20ac\u2122t let biology majors see this movie; the \u00e2\u20ac\u0153TECH\u00e2\u20ac\u009d portions are incredibly half-assed.  But, we see a montage.<\/p>\n<p>Montage elements:<\/p>\n<ul>\n<li>The character in question doing the things he\u00e2\u20ac\u2122s doing during this time, compressed for the narrative<\/li>\n<li>Some element representing the passage of time, like a calendar or clock.  Bonus points for:\n<ul>\n<li>Universal symbols<\/li>\n<li>The object is in previous or subsequent shots<\/li>\n<li>The object is thematically linked to the plot<\/li>\n<\/ul>\n<\/li>\n<li>Darkman does both: the stopwatch Darkman uses to measure the synthetic skin.  Also uses written notes (see below)<\/li>\n<li>Also, we see the moon.  Passage of time + theme of the dark<\/li>\n<li>Various spinning objects related to the period, tumbling through space and freed from any context.  Darkman uses beakers filled with fluid, presumably the synthetic skin<\/li>\n<li>Elements the struggle depends on\u00e2\u20ac\u201dthe direct objects.  We see cells of synthetic skin.<\/li>\n<li>Objects related to the struggle depicted\u00e2\u20ac\u201dthe indirect objects: Darkman has:\n<ul>\n<li>pages of notes, clearly legible, with failed attempts<\/li>\n<li>a growing pile of discarded Petri dishes<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Next we see some symbols referencing Darkman\u00e2\u20ac\u2122s rage.<\/p>\n<ul>\n<li>Zoom and close-up of the character emoting<\/li>\n<li>Flashbacks of what the character is remembering<\/li>\n<li>Alternately, imagined scenarios.  Ally McBeal just cut to these, but in Darkman, we see them superimposed<\/li>\n<li>Some chaotic element with symbols of the mood.  Darkman uses fire.<\/li>\n<\/ul>\n<p>Darkman claims his first victim: I love this guy, he is so not a henchman type.  Was he related to Raimi?  He looks very New York Jew.  Almost as ridiculous as the gay Latino henchman with the ponytail.<\/p>\n<p>After arranging bald guy\u00e2\u20ac\u2122s death, we see Darkman moping in a composite shot:  clouds, night, gargoyles, his head.<\/p>\n<p>How much of Darkman we see in this movie is actually Liam Neeson?  His face is covered in bandages most of the time!  He could have just dubbed in lines\u00e2\u20ac\u00a6 or another actor could have dubbed ALL the lines, including his, for consistency.<\/p>\n<p>Cemetery scene:<\/p>\n<ul>\n<li>Frances approaches the grave.  We dolly in<\/li>\n<li>Frances sees Liam- a music-video truck in both POVs<\/li>\n<li>Frances freaked out- she backs away, sort of a missed opportunity for a Hitchcock shot here<\/li>\n<li>Frances far away as in Liam POV<\/li>\n<li>Now a gyrating sries of shots- emotionally chaotic<\/li>\n<li>They embrace.  Finally the camera is still!<\/li>\n<\/ul>\n<p>Durant, panicked, demands of his henchman, to know what is going on.<\/p>\n<ul>\n<li>We see henchman in the driver\u00e2\u20ac\u2122s seat, reading a newspaper.  We can tell it\u00e2\u20ac\u2122s a car interior<\/li>\n<li>Suddenly, Durant\u00e2\u20ac\u2122s head thrusts into view.  We can see just a bit of the car window frame.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>These are my notes on &#8220;Darkman,&#8221; by Sam Raimi. Incidentally I love Darkman, even though I know it&#8217;s kind of a crappy movie. But it&#8217;s a great grown-up indie movie! Let\u00e2\u20ac\u2122s just skip the first scene and go straight to the titles. Too bad there\u00e2\u20ac\u2122s no commentary on this sucker! I\u00e2\u20ac\u2122ve seen it before too. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-5795","post","type-post","status-publish","format-standard","hentry","category-flix"],"_links":{"self":[{"href":"http:\/\/www.ikillspies.com\/index.php?rest_route=\/wp\/v2\/posts\/5795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.ikillspies.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.ikillspies.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.ikillspies.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.ikillspies.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5795"}],"version-history":[{"count":0,"href":"http:\/\/www.ikillspies.com\/index.php?rest_route=\/wp\/v2\/posts\/5795\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.ikillspies.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.ikillspies.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5795"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.ikillspies.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}